It’s hard to imagine The Elder Scrolls without Jeremy Soul (Jeremy Soule): His music accompanies the series since time Morrowind. It is logical to assume that the composer will return to The Elder Scrolls VI, However, in practice Bethesda I have not yet made such a decision.

He told about this himself Soul On your Facebook page*. “Many fans ask me … I did not talk about it out of respect for Bethesda, I would never turn away from TES. I believe that my participation will depend on their creative decision and where they want to send to the franchise. I can confirm that at the moment I am not doing Tes VI".

Pay attention to the phrase “at the moment”: the sixth part is at a very early stage of production, therefore, perhaps, music is not needed there yet. And when it will be needed, Bethesda Still calls Soul.

However, in the comments under the record, the composer says that with Skyrim The story was different. Soul I wrote compositions for the fifth part for several years and was ahead of the development of the game itself. Moreover, employees Bethesda They listened to the soundtrack Soul for inspiration, when they created Skyrim.

Music for The Elder Scrolls – one of the most important and well -known works Soul. But he received awards for other soundtracks: for example, for Total annihilation, Icewind Dale, Harry Potter and the Chamber of Secrets And Guild Wars 2. Compositions Soul also sound in Neverwinter Nights, Company of Heroes, Unreal II and many other games.

Recall that Bethesda The region already knows where the action will take place The Elder Scrolls VI. The game is based on the updated engine Skyrim. Other details about the sixth part are still unknown.

* The activities of the parent organization META are recognized as extremist and prohibited in the Russian Federation

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The Elder Scrolls VI

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IMHO, Tes without Soul’s music, like Fallut https://nongamstopsites.uk/review/madcasino/ without war never changes, is difficult to imagine separately (and for me it is unrealistic, Skyrim’s music is simply perfect for the game, for me it gives the moment of adventure that is drawn into the game)

I just want to be needed that Bethesda Game Studios will fix its position after the release of Fallout 76. Now it is very risky in principle to do something with the sixth game in the series, since society is clearly configured against the company. They need to improve, because otherwise any release of them will not enjoy the good that is, but meticulous quality control from the entire game community. Ubisoft had such an experience when they created an excellent Watch Dogs 2, but sales left to expect the best, and the game was scolded in vain (like Assassin’s Creed Syndicate). Bethesda Game Studios is now exactly in the same situation, you won’t envy them, and they won’t help Jeremy Soul – they need a strong release that will simply break all the unpleasant memories of Fallout 76 and, partly, Fallout 4 to the Puff of the Poom.

Inon Zur, for the fourth Folych, wrote the perfect soundtrack of the new Tes. It is not a fact that the Soul is better, but it would definitely come up to scrolls.

Yes, they must call him, this is 50% of the game. Or must dig a new talent that can play on the strings of the soul.

Well, now, now we know for sure that they are really not starting to develop, hence the most neutral teaser. Joke, of course, but very similar to the truth.

It’s just that the game itself is not yet, he would be able to cope with the Starfield first, given the rumors about the problems with the game.

In fact, I don’t give a shit on Fallout 76, if you speak straight frankly. That is, I remember the time when people really wanted a conditional Fallout Online, but it was a long time ago, since the singlePleer is now held in high esteem (although in fashion – just online). Yes, Bethesda released Fallout 76 at the wrong time, especially since Fallout 4 did not roll many, and everyone was waiting for branches of the New Vegas type, but received clean online.

However, the situation can be corrected.
Firstly, Bethesda should sincerely admit your mistakes, that is, write an open letter, like “forgive us for our unacceptable behavior, misleading marketing and all-all-all things that have made you unpleasant, we will try to get better”. It seems to me that this is better than silence and excuses, especially since it is very rare who does it, and I think that the game community will accept it with warmth.
Secondly, you need to release a lot of Content Paths for Fallout 76, which will completely remove all this nonsense with robots-quests and quests about corpses. The game has a good world, an excellent landscape and its own atmosphere – it remains to fill it with what is called Fallout – people and their stories. And then already say: "This is what was before is crap, and now – canon".
And, of course, promote all these changes. I don’t understand why Bethesda will not dare to do so. That’s who is at all sitting at all? As for me, so at least add lootboxes there, but with them – a normal plot, characters and quests.

And about TES I would not particularly worry. Bethesda realizes what it is. With Fallout – no. They are infuriated that fans have been guided by the legacy of Black Isle since 2008, and they can be understood. But they will not score tes. For some reason I am sure of this.

This is yes, given that now, in the form in which her fans brought her already gorgeous, what could work if the piranhas were given everything to finish.

There are two options for events:
1) The gazebo is finished with Follych 76 to a playable state, the masses have subsided by that time and after a couple of years we hear “well, started shit, but at least corrected, well done”.

2) The gazebo throws 76 and everyone stupidly forgets about it in a couple of years. Because in fact everyone shows.

As for me, people should have worried about Tes 6 after Follych 4, which was covered with a layer of shit from the head and to the ass. And if Starfield or Tes follow in the footsteps of this squalor, then this is a scribe.

It’s just early to write music. It will be released in 2021 or so, and now for the gazebo is a priority music for Starfield.

I passed it in the fall, everything is fine there. And not so empty. Constantly on some quest, you will fall over, then the monster is fatter with treasures. I am silent that the world itself, especially myritan, is visually just chic, that the forest is meadow with the river. I’m already silent about masterpiece music.
Yes, Varant and Nordmar are more empty, well, and the locations themselves predispose to this.
But it is clear that the game has a lot of problems, but even with them it is much better than most of the RPG current.

And I would not say that in the cities the same thing, almost every city has more or less its own plot and quests. Yes, most often by mechanics, go there, bring it, but the context and feed are different. There they calculate the traitor, find the slaves there, there is a riot arranged. This is already a dozen times better than the quests of the same conditional Skyrim.

You do not forget that we are already in 2019, and 2021 is not somewhere there in the next decade, but here it is already on the nose. For 2 years they will only begin to fully develop Tes if the Starfield does not go shit.

All this is suspicious. They will never refuse a cult composer, because this is an additional hype (Anti -Hip if they refuse). So the development seems to have just begun.